2. "... seeking to find an identity outside that of my own culture.""Cool is not a way of resisting authority but rather a way of exercising it -- of leading people who cannot otherwise be forced to follow."
[Dave Hickey's review of Cool Rules]
This is part two of a series of posts critiquing Stephen Batchelor's various attempts to remake Buddhism in an image more to his liking. The Gentle Reader is strongly encouraged to at least take a glance at the first post in this series before continuing below.

In the entry for "Religion" in his Philosophical Dictionary, Voltaire described a horrifying vision in which the bodies of all the victims of Christian violence (including millions of Native Americans) were piled up to form "abominable monuments to barbarism and fanaticism." Voltaire also included Judaism and Islam in his condemnation of faiths in which "zeal and religion [are] wretchedly transformed into fanaticism." But Voltaire was not opposed to religiosity altogether. He described himself as a Deist, and he asserted his own belief in a "supreme Intelligence", and he was an initiate in the mystical society of Freemasonry.
Some say that at the very end of his life, though, the author of the Philosophical Dictionary, and the Treatise on Toleration, relented and converted to Christianity at the last possible moment. It could be true. Who knows? However I prefer the version in which when the priest begged him to renounce the Devil, Voltaire responded, "This is no time to start making new enemies." There is also the theory that his deathbed conversion really did occur, but that Voltaire meant it as a joke.
![The people of the United States were 'Mikado' crazy for a year or more, as they had been 'Pinafore' crazy some time before. Things Japanese acquired an absurd vogue. Women carried Japanese fans and wore Japanese kimonos and dressed their hair in some approach to the Japanese manner. The mincing step of Yum-Yum appeared in the land; chopsuey, mistaken for a Japanese dish, became a naturalized victual; the Mikado's yearning to make the punishment fit the crime gave the common speech a new phrase; parlor wits repeated, with never-failing success, the lordly Pooh-Bah's remark about the 'corroborative detail designed to lend verisimilitude to an otherwise bald and unconvincing narrative'; his other remark, about the ultimate globule of primordial protoplasm, engendered a public interest in biology and sent the common people to the pages of Darwin, then a mere heretic and the favorite butt of windy homiletes. [H.L. Mencken, 1910]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1qxO8Vj2xsFqxExeGShzdZCFu0-9tOWjvJTv36hEzTwo1GNKy0SjRBr4BHyM6nwIs-KKIxh8SgGFr0zTWnZ7tn9_BpOTJASv0g2H7AUtGgHNQiQTvy3hmz3ChVTetvXEspjshMaoMv3c/s200/MikadoNewPic.jpg)
I discover as I grow older a reconnection with the roots of my own culture. Maybe many of us of my generation were drawn to Buddhism as a kind of act of defiance, a kind of rebelliousness against what we viscerally disliked—often for rather naive, adolescent, and idealistic reasons—in our own culture and we saw Buddhism, or at least I saw Buddhism, as a kind of vindication of that dissent.
But as the years have gone by I’ve found that this denial of one’s roots, this denial of one’s cultural upbringing, is not actually possible to sustain. If one seeks to sustain it, one often ends up as a kind of mock Tibetan or pseudo-Japanese. Although I have tried to do that on occasion, dressing up in all of the appropriate regalia, more than that I feel it to be still seeking to find an identity outside that of my own culture.
[From "Deep Agnosticism: A Secular Vision of Dharma Practice", but Stephen Batchelor]
![When he came to his senses, he said, ‘How many of my father’s hired servants have food to spare, and here I am starving to death!' [Luke 15:17]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh__Vy7ohCs8WeJdBtzxUyicBqLL4qj95eCLcjQGM0a6rz4JPx5RqZKJz1y5hCMrsGsNfJXoqCp-eWAwm3q6_6HzMnBRg0ouMCq7fxfUzXaQhdmq2Hby40oXXMLx5zRTn7OXFVexv-hmZE/s320/Pompeo_Batoni_003.jpg)
And there is, if possible, even less originality in Batchelor's pseudo-Nietzschean rationalizing in which he posits a crude racial/cultural determinism, according to which it is an impossibility for a person of European blood to "sustain" the "denial of one's roots," that Batchelor believes must be involved for a Westerner to "believe" in Buddhism. Nor is there anything fresh and new about insisting that those foolish enough to make the attempt to think outside "one's own" culture, can only accomplish a mawkish theatrical display that goes no further than "dressing up in all the appropriate regalia," because no force can change the immutable, essential characteristics of the silly self-denying white actor underneath the ridiculous Asiatic costume.

Charles Wilkins' (1749-1836) English translation of the Bhagavad Gita was just part of a much larger project, never completed, to translate the entire Mahabharata. During his 16 years in India, Wilkins not only came out with his historical translation of the Gita (which was very popular, and was in turn translated into French and German), he also created the first Devanagari typeface (he was a typesetter by profession), served as official translator of Persian and Bengali for the East India Company, and helped establish the Asiatic Society of Bengal.
In 1879, Edwin Arnold published his groundbreaking The Light of Asia, a book length epic poem recounting the life of the Buddha. Arnold's book was a great literary and commercial success, and is still in print today. But Arnold did not at all limit himself to writing about Buddhism, and he helped to found, along with Anagarika Dharmapala, the Maha Bodhi Society, perhaps most well known for its work to protect and preserve Buddhist historical sites in India.


![This is a poster for the 1971 Indian movie 'Hare Rama Hare Krishna'. Here is one description: '[I]ntertwined discourses about alluring and threatening Others—hippies, Nepalis, and the ultra-elite of wealthy, jet-set Indians (the label NRI had yet to be invented)—come together in Dev Anand’s lurid and chaotic period piece, which became the classic Bombay cinematic statement on the counterculture phenomenon.'](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfbfIdH9ljA1EPsRLwd77fD43XLpoSIDZQOyqpWZ5UKLC69Ep4JieDSuR_a6p85bszyJEXjBu5UY4ZOGLdKyZDSz1PwGRSVkIAO0qeVnhtZuVfNwH_RhuybXAKY9k2E9NlFZ6Inupt-gc/s400/harerama-movie-poster.jpg)
.


.


.
