Tuesday, May 11, 2010

Stoic Theology Resource Guide, Part Two

Here's Part Two. (And, in case you missed it here is Part One, and here is The Introduction to this ongoing series on Stoic Theology From A Pagan Perspective -- which, I promise, will involve more than just lists of books. Although that "Introduction" is, well, kinda rangy. It involves the great philosopher Pierre Hadot, the movie Avatar, Bondage Fairies, Dinosaur Comics.....)

The following should be on anyone's short list, but they can wait until you've made a good start on the "core" works in Part One. But the two at the end of this list are both available free online! There is are at least one more installments coming.

Hellenistic Philosophy of Mind
by Julia Annas
Annas' book at googlebooks
Description from the publisher's website:
Hellenistic Philosophy of Mind is an elegant survey of Stoic and Epicurean ideas about the soul—an introduction to two ancient schools whose belief in the soul's physicality offer compelling parallels to modern approaches in the philosophy of mind. Annas incorporates recent thinking on Hellenistic philosophy of mind so lucidly and authoritatively that specialists and nonspecialists alike will find her book rewarding.

In part, the Hellenistic epoch was a "scientific" period that broke with tradition in ways that have an affinity with the modern shift from the seventeenth and eighteenth centuries to the present day. Hellenistic philosophy of the soul, Annas argues, is in fact a philosophy of mind, especially in the treatment of such topics as perception, thought, and action.
Reviews:
"In her systematic examination of Stoic and Epicurean theories of mind, Julia Annas seeks to demonstrate the innovative nature of their views. According to Annas' exactingly lucid book, the Stoic and Epicurean accounts are philosophically worthy and, properly construed, the first genuine theories of mind. . . . Annas carefully and sympathetically attends to the arguments that the Stoics and Epicureans construct, while indicating their defects. As a result, we gain a sense of the enormous attraction of their reasoned, philosophical positions. . . . A model of philosophical scholarship about Hellenistic antiquity."—Glenn Lesses, Canadian Philosophical Review

"Usually, such a work becomes at some point too scholarly to be read by . . . amateurs. This is not the case here. It's an admirable accomplishment."—David K. Glidden, University of California Riverside
Stoic Studies
A.A. Long
Long is Da Man. I already included his Epictetus: A Stoic and Socratic Guide to Life as part of the "core" of this Resource Guide. Stoic Studies is a collection of some of his greatest hits. Please take note, in the excerpt below from the BMCR review, that Long devotes separate chapters to Homer, Heraclitus, and Socrates and their (profound and pervasive) influence on Stoicism. This is yet another reminder that Stoicism must not be viewed in isolation, but rather as an integral part and vital expression of Hellenismos in the broadest, deepest, and best sense of the word.
Stoic Studies at Googlebooks
BMCR review
Excerpt from BMCR:

Long has selected twelve of his articles previously published in journals and conference proceedings between 1971 and 1993 for this volume. Brief postscripts have been added to chapters 1, 6, and 7 because their topics "have been the subject of much discussion during the intervening years" (xi). The breadth of scope, holistic approach, interpretive creativity, careful scholarship, and sensitive understanding of Long's work on Stoicism is well displayed in this volume. Moreover, the presence of Epictetus on both the first and last page of the book is telling and pleasing. Telling, because Long devotes extended discussions to Epictetus in Chapters 4, 7, 8, and 12. Pleasing, because Epictetus' importance in the history of the Stoa has been too often unfairly downplayed by many scholars. The attention Epictetus deservedly receives from Long, therefore, is salutary. Long has tried to create a reasonably coherent volume by grouping the selected chapters around "three themes: the Stoics' appropriation and interpretation of their intellectual tradition (chapters 1-4), their ethics (chapter 5-9), and their psychology (chapters 10-12)" (xii).

Chapter 1, "Socrates in Hellenistic philosophy" (Classical Quarterly 38 [1988]), discusses the ways the Hellenistic philosophers saw themselves as the heirs or critics of Socrates, as well as the doctrines and characteristics of Socrates that were incorporated into, or removed from their philosophical paradigms. Long makes a cogent case for the Stoics' Socratic orientation in his analysis of Euthydemus 278e-281e, and in the process offers convincing corrections of Vlastos which are, if anything, too deferential. In his postscript to this chapter Long stands by his article "Aristotle's legacy to Stoic ethics" (Bulletin of the University of London Institute of Classical Studies 15 [1968]) where he argued that the Stoics reflected seriously on Aristotle's ethics. He writes: "Then as now I took Socrates to be their dominant inspiration, but I still think (in spite of Sandbach 1985) that the hypothesis of some Aristotelian influence on Zeno and his followers is probably correct" (34). It would seem appropriate, then, to have included "Aristotle's legacy" with these first four chapters, since it is also relevant to several of the later chapters.

In chapter 2, "Heraclitus and Stoicism" (Philosophia 5/6 [1975/6]), Long argues for "a serious historical link between Heraclitus and the Stoics" (37). Long's examination of Cleanthes' Hymn to Zeus leads him to judge that Cleanthes had a much deeper understanding of Heraclitus than we find in Plato, Aristotle, or Theophrastus (46).

Chapter 3, "Stoic readings of Homer" (Homer's Ancient Readers, edd. Lamberton and Keaney [Princeton University Press, 1992]), is one of the freshest and most interesting of the collection. Long attributes to modern scholars the theory that Stoic philosophers, beginning with Zeno, interpreted Homer as a crypto-Stoic allegorist. He then introduces the following distinction: "A text will be allegorical in a strong sense if its author composes with the intention of being interpreted allegorically. A text will be allegorical in a weak sense if, irrespective of what its author intended, it invites interpretation in ways that go beyond its surface or so-called literal meaning" (60). Long proceeds to argue that the Stoics in fact took Homer to be neither a strong nor a weak allegorist. First, Long presents sensible reasons for rejecting the idea that the Heraclitus who authored Homeric problems: Homer's allegories concerning the gods was an official Stoic. Second, he rejects the polemical evidence of the Epicurean in Cicero's De natura deorum i. 41 in favor of the Stoic Balbus' statements in ii. 63-72. Third, he uses Cornutus' Compendium of the tradition of Greek theology to show that "For Cornutus neither Homer nor Hesiod is a crypto-Stoic. Both are transmitters of myths" (73). Long's alternative theory is that the Stoics to a great extent recognized that myth is the ancient sages' mode of interpreting the world. He concludes that the Stoics "did not make the mistake of supposing that a myth's meaning is identical either to its function in a larger story (the personification of concepts) or to a secret message inscribed by the storyteller" (83). Nuanced discussions of strong and weak allegory, metonymy, and euhemerism make this a fascinating chapter.

From Epicurus to Epictetus:
Studies In Hellenistic And Roman Philosophy

by A. A. Long
From Epicurus to Epictetus at Googlebooks
BMCR review
Excerpt from BMCR review:

This volume collects 18 essays by Professor A. A. Long. All but one were previously published in a journal or multi-author volume between 1978 and 2003, but they have been revised for this collection and most of the older pieces have received a postscript that takes notice of more recent literature on the topic in question and (in some cases) replies to objections raised since the original publication. As its title indicates, the book's subject-matter is much broader in scope than that of Long's previous collection, Stoic Studies (Cambridge University Press, 1996).

In addition to essays on a variety of topics in both Greek and Roman Stoicism, there are papers on Greek scepticism (in both its earlier and later phases), Epicurean physics and ethics, and the philosophy of Cicero. The collection is given a certain degree of unity by the author's emphasis on the commonalities shared by the different philosophical schools of the Hellenistic period, by the careful attention paid throughout to the cultural and literary contexts of ancient philosophy, and by an interest (displayed especially in the more recent essays) in Hellenistic theories of selfhood and personhood. It is also worth noting that, while some of these pieces are pitched towards specialists in ancient philosophy, others are intended primarily for non-specialist classicists and philosophers or for the simply curious. This produces some shifts in tone from essay to essay and has the inevitable result that no particular reader will find every part of the collection equally interesting. But it also makes it possible to recommend this well-produced book to anyone who is interested in Hellenistic or Roman intellectual life.

The book begins with two general essays on Hellenistic ethics. The remaining papers are organized into sections by school or period: scepticism; Epicureanism; early Stoicism; and finally Roman philosophy, including both Cicero and the Roman Stoics. I shall comment on each of the papers below, preserving the order of the sections (but not the order of the papers within each section) . . . .

The book's final section contains five essays on Roman philosophy. Particularly rich in its implications is "Stoic Philosophers on Persons, Property-Ownership, and Community." This paper argues (drawing on a great deal of evidence from the Roman period) that Stoicism prefigures the early modern concept of "person" in significant ways--most importantly, in making self-consciousness the crucial attribute of a "person." Persons are rational beings, and rational beings are conscious of themselves in a particular way, as possessing a power to assent to (or to withhold assent from) the impressions they receive. This power of assent lies at the core of a rational self and is for the Stoics the paradigm case of property-ownership: every person owns his or her self inalienably. For the Stoics the idea of ownership is, then, grounded in human nature and tied closely to personal identity; Long examines these connections and considers their consequences for Stoic political philosophy.

"Epictetus on Understanding and Managing Emotions" begins with a brief introduction to the Stoic theory of emotions and then makes a number of observations about the particular (and sometimes peculiar) ways in which Epictetus applies the theory in his Discourses.

Two fine papers on Cicero consider the Roman orator not merely as a source of information about earlier thought but as engaged in a serious philosophical project of his own. "Cicero's Plato and Aristotle" shows that Cicero carefully deploys those two famous figures in his philosophical writings in such a way as to bolster his claims about the importance of combining the practice of philosophy with rhetoric. "Cicero's Politics in De officiis" argues that in his final major philosophical work Cicero gauges his presentation of Stoic moral theory so as to send a timely message to his fellow-citizens during the ongoing crisis of civil war. Cicero believes that tensions in Roman ideology (particularly the problematic ideal of gloria, which motivates citizens simultaneously to pursue the common good of the community and to seek their own "glorification") threaten the social fabric of the republic and that Stoic ethics holds the promise of diagnosing and mitigating these tensions.

"Seneca on the Self: Why Now?" is perhaps the least successful piece in the collection. In exploring what lies behind the recent resurgence of scholarly interest in Seneca, Long makes the surprising assertion that "Seneca's value as a theorist of selfhood is not vitiated ... if we completely reject his Stoic commitment to the divinity of human rationality, for instance, or the moral indifference of all values except virtue and vice" (p. 363). To illustrate what he finds interesting about Seneca's theory, Long relies heavily on a distinction he draws between a person's "normative identity" and "occurrent subjectivity," that is, between what a person should aspire to be and what a person's particular mindset is right now. Long identifies a variety of rhetorical strategies that Seneca uses in his Letters to encourage the reader to reflect on the gap between his or her occurrent subjectivity and normative identity and to make progress towards closing that gap. The problem here is that for Seneca, the content of a person's normative identity will surely be nothing other than the perfected (and indeed divine) rationality that orthodox Stoicism attributes to the virtuous person. Without the edifice of Stoicism to support it, Seneca's rhetorical scaffolding (skillful as it is) would collapse.

But this is a minor complaint about a collection that is generally excellent. I conclude by again recommending this book to anyone who is interested in the thought of Hellenistic and Roman times. Those who are already familiar with Professor Long's work will find here a useful compendium; those who are not will discover why several generations of scholars of ancient philosophy are indebted to him.
Cambridge Companion to the Stoics
edited by Brad Inwood
Cambridge Companion at googlebooks
BMCR review
Excerpt from BMCR review:
The new Companion to the Stoics that Cambridge University Press presents us with is worthy of its series. Its editor, Brad Inwood, has succeeded in compiling a volume that fully achieves its aim. This, as stated in the introduction, written by Inwood himself, amounts to providing readers of various kinds with a resource on Stoicism, whether they approach it for the first time or after considerable experience. In other words, the book is meant to be both an accessible guide to and an authoritative account of (a) the historical trajectory of the Stoic school, (b) its philosophical system, and (c) the influence of Stoicism inside and outside philosophy. The intended readers of the volume are novices as well as specialists in any of the three subjects named. In the opinion of the present reviewer all of them will be served well. The aim of the book is reflected in its structure. The first two chapters describe the history of the school in the ancient world. The Hellenistic period from Zeno, the founder of Stoicism, to Athenodorus and Arius Didymus, court philosophers of Augustus, is covered by Sedley. The Roman Imperial period, in which well-known Stoics such as Seneca, Epictetus, and Marcus Aurelius were active, is treated by Gill. Both scholars draw together a wealth of material and thereby present an illuminating picture of the various phases Stoicism went through, its changing institutional aspects, its relations with other schools, and the interplay between its need for creativity and its will to orthodoxy over the centuries. This picture serves as a most welcome background for the discussions of many of the central themes of Stoic philosophy in chapters 3 to 10, but also for the subsequent explorations of Stoic influence on ancient medicine, grammar and astronomy in chapters 11 to 13 and on some medieval and early modern philosophers in chapters 14 and 15 . . . .

As for physics, there are four chapters. Natural philosophy, including cosmology, is dealt with by White in chapter 5. In his account however, two major items are deliberately passed over, the first of them being Stoic theology. Although strictly speaking this was part of physics, it is reserved for a separate discussion by Algra in chapter 6. The second item is the Stoic theory of fate and determinism, which is the subject of Frede's contribution in chapter 7. Finally, in chapter 8, Brunschwig explores an area of Stoic philosophy which he calls 'metaphysics', and which is not to be understood as some sort of 'metaphysica specialis', directed at primary entities such as the Stoic principles (ἀρχαί) -- which are discussed by White and Algra -- , but as a kind of 'metaphysica generalis', the purpose of which, according to Brunschwig, is 'to study any and every object from a certain point of view ('qua being', and also qua such and such a type of being', p. 209). As a matter of fact Brunschwig does two things. First, he inquires into the Stoic classification of all entities into somethings (τινά) -- which are subdivided into bodies (σώματα) and incorporeals (ἀσώματα) -- , quasi-somethings (ὡσανεὶ τινά), and not-somethings (οὐτινά). Second, he deals with the so-called Stoic 'categories', which he takes to provide a stratification of all bodies into four 'highest genera'. Both discussions are thoughtful, important and, in the opinion of the present reviewer, promising, even though they will not, of course, command universal assent. Particularly concerning the Stoic theory of λεκτά, which are standard examples of incorporeals, Brunschwig -- concurring with earlier work of Frede -- seems to open up new directions for research by interpreting them as a type of incorporeal but objective conditions for the interaction of bodies (p. 219). In any case, as Brunschwig himself makes clear, his explorations move away from the domain of physics proper and extend to the fields of logic and ethics. In this sense therefore they may certainly be called metaphysical.
Senecan Drama and Stoic Cosmology
by Thomas G. Rosenmeyer
This is a unique work both (a) because of it's focus not only on Seneca, but on his dramatic works in particular, as well as (b) because of it's attention to the concepts of pneuma, tonos, sumpatheia, and krasis which are all of great significance to modern Pagans who want to understand the ancient philosophical/theoretical underpinnings of "sympathetic magic".
Free online escholarship version of the entire book: Senecan Drama and Stoic Cosmology
Here is an excerpt from Chapter Four: Body, Tension and Sumpatheia:
I shall sing of the God supreme with the still Wisdom of nature, one with sky and land and sea, Steadying the bulk by means of a balanced compact. The universe is alive with reciprocal harmony And is driven by the motion of reason; one spirit Inhabits all its parts and animates the orb Throughout and shapes and ensouls its body.
[Manilius Astronomica 2.60–66]
These lines, from the pen of a poet who lived about a generation before Seneca, give creative expression to a body of thought about the cosmos that originated with the early Stoics, based on suggestions supplied by Aristotle and his immediate successors, and older traditions on which they drew. Aristotle distinguishes between soul and the inborn pneuma; Zeno collapses them and makes of his soul-pneuma the unifying stuff that guarantees the working (and the frequent misoperation) of the organism. Chrysippus extended the notion of the bodily pneuma to cover the whole world, with important consequences for the nature of the cosmos, of which man, the character in the cosmic drama, is a consenting or dissenting member. He defined heimarmene as a dunamis pneumatike (SVF 2.913), a pneumatic power, which means that the pneuma is both causal nexus and force. "Pneuma in a cosmic sense is a conscious, rational, material force, working like a craftsman on inert, formless matter and fashioning different substances by variations of its own tension." Chrysippus's pneuma was a refinement of the "craftsman fire" of Zeno and Cleanthes, "a cool fire, sun's breath, the solar wind," to fall back on the language of a modern poet-philosopher.

We are now broaching the heart of our study, the cosmological analysis for which everything discussed up to now has been preparatory, and which, I hope, will clarify important issues our earlier remarks have had to skirt. Significant aspects of Seneca's dramatic practice, including the language of the plays, the nature of the action, and the character of the agents, can be appreciated more fittingly once it is understood that Senecan drama is the beneficiary of a new cosmology, of a new way of looking at the world and its parts and the manner of the interaction of these parts. Occasional hints of the new perspective have already been given in the preceding chapters. It remains to explore more fully, and with explicit documentation, how the Stoic world picture scores in the dramatic practice of Seneca and of some of his successors.

The Stoic presumption is that, with few—according to most accounts, four—exceptions, all that exists is corporeal, or physico-biological. Hence ethics and theology are subjects rooted in the findings of the natural sciences. This was held by Chrysippus and by Marcus Aurelius. It is also the view of Seneca, as emerges clearly from his encomium of sapientia in Epistle 90.28ff. God is corporeal; so are justice, passion, reason, truth, virtue, vices, judgments, the soul. All of them are bodies, not in the sense of exhibiting specifically defined surfaces, but in the sense of sharing in the materiality of the whole. That materiality is, thanks to the pneuma, in large measure animate rather than inert. Events are corporeal, and so are their causes. "Chrysippus' affirmation of the corporeal nature of causes is a flat rejection of the incorporeal causes of Plato (the Ideas) and Aristotle (the unmoved mover)."
The Question of Eclecticism
edited by John M. Dillon and A.A. Long
Three papers in this book are of particular interest:
Cicero's philosophical affiliation by John Glucker
Because of the incalculable importance of Cicero's On the Nature of the Gods as a systematic presentation of Stoic Theology, it is essential to understand where Cicero, who was not a Stoic, is coming from.
Science and metaphysics: Platonism, Aristotelianism and Stoicism in Plutarch's On the Face in the Moon by Pierluigi Donin
This is a technical and difficult paper, but the worth the effort.
Discovering the imagination: Platonists and Stoics on phantasia by G. Watson
Free online escholarship version of the entire book: The Question of Eclecticism
Here is an excerpt from Discovering the imagination:
One of the topics on which the philosopho-theological tradition dwelt was anthropomorphism, a question which had been at the center of theological debate since Xenophanes. There was, however, a point of view other than that of Xenophanes or Plato, represented notoriously by the Epicureans,[13] but certainly not confined to them. Here Maximus is of interest. He wished to be known as a Platonikos philosophos but, like Dio before him, would have known and used other systems. His second speech concerns the question of setting up images to the gods. Maximus is a tolerant man. He concedes that if men were really good, they would need no reminders of the gods. But men are weak, and wise lawgivers have realized what has to be provided. In this situation it is reasonable that the gods should be presented in man's shape, although Maximus is aware that the Persians, Egyptians, Indians, and so on do not share that view. The true god, the father and demiourgos of all things, is unseen by our eyes, and we cannot grasp his essence. We wish to catch a glimpse of him, but since in our weakness we cannot, we fall back on various aids to his presence, and the things we find beautiful remind us of him. Therefore, Maximus concludes, "If the art of Phidias stirs up the Greeks to the memory of the gods, and the honor done to animals the Egyptians, I shall find no fault in this variety."

Maximus here makes an obvious reference to the famous passage in the Timaeus on the father and maker of all; and even much stricter Platonists than Maximus believed that God did reveal himself as an artist by the world he had made. The anti-anthropomorphic Plato and the Stoa agreed on this point: the Stoa drew gratefully on Plato in their long expositions of God's concern for the world he had made. God's making of the world was explained on the analogy of the human artist. An elaborate example of the process is provided by Philo in his De opificio mundi . Philo says (16) that when God wished to create this visible world of ours, he first formed the intelligible world (noetos kosmos ) so that from this incorporeal model he might bring into being the corporeal world. It is wrong, however, to suppose that the intelligible world, formed from ideas, is in any place (en topoi tini ; cf. Timaeus 52B). A parallel from our own experience will explain how it has been organized. When it has been decided to found a city, an architect first designs in his own mind all the parts of the city to be. Then, when he has engraved in his own soul, as it were in wax, the outlines of each part, he carries about within himself an intelligible city (noete polis ). He keeps the models alive in his memory and engraves ever more deeply on his mind the outlines. Then, like a good craftsman (demiourgos ), he starts to build a city of stone and wood, his eyes fixed on his model (paradeigma ), shaping the corporeal realities to each of the incorporeal ideas. In somewhat the same way we must picture God when thinking of founding the great city, the megalopolis. He first conceived the outlines (tupoi ); from these he set together the intelligible world and, using this as a model, he completed the sensible world.

Monday, May 10, 2010

"strike up the band and make the fireflies dance"

Kiss me
out on the bearded barley

Nightly,
beside the green, green grass

Swing, swing,
swing the spinning step

You wear those shoes and I will wear that dress.

[Chorus:]
Oh, kiss me beneath the milky twilight
Lead me out on the moonlit floor
Lift your open hand
Strike up the band and make the fireflies dance
Silver moon's sparkling
So kiss me

Kiss me down by the broken tree house
Swing me upon its hanging tire
Bring, bring,
bring your flowered hat

We'll take the trail marked on your father's map

JenerallyxSpeaking:



angelax33:



insaneelaine (the flute is approximately 4x too loud toward the end, though):



bethxx5 (Bethany Mann and Tom Rowland):



earBLind69 (Kristen Mariano):



studiocupino:



Bluesky00p:




I am deighted and amazed by people with talent. Especially musical talent. And I have always (well, not always, but at least for the last decade or so ...) appreciated the simple, pretty, lighter than air quality of the 1999 popular hit "Kiss Me," by the Christian-crossover band Sixpence None the Richer. (The song reached #1 in Australia, #2 in the US and #4 in the UK.)

Of course when I randomly discovered two really well done ukulele covers of the song on youtube, I had to find more! The only trouble was, I could not find any more (key words: "really", "well", "done"). So I settled (in the end quite happily) for a number of other acoustic covers. It really is amazing how much talent there is in the world. Although it's a little less amazing if you look at all the other covers of "Kiss Me" on youtube. Trust me.

Today as I came back from my morning walk I saw a bug crawling on my front porch. It was a lightning bug!!

Oh, and I know it's supposedly "out of the bearded barley," but I like "on" better.

And the picture at the top of the post is by jerry8448 at deviantart.com

Stoic Theology: A Resource Guide for the Curious and the Brave (Children of the Gods, Part Two)

Preamble:
The good news is that starting with Zeno of Citium (334-262 BC), the Stoics articulated a very systematic Pagan Theology, or at least as systematic as theology can be among polytheists. It could be (but really needn't be) misleading to call this "a" Theology, since no two Stoics agreed on their theology, nor are the concepts of "heresy" or "orthodoxy" even coherent within a Stoic, indeed, within any genuinely philosophical, context. But that, obviously, is a good thing, and, in particular, makes for a much superior, in every way, manner of theologizing than can be found among the heretic-hunting creed-mongers, who are the natural enemies of all Truth and Reason.

The bad news is that very little remains of the theological writings of the great founders of Stoicism: Zeno, Cleanthes, and Chrysippus. In fact, of the three only one complete work of any kind comes down to us, and this, thank the Gods, is Cleanthes' Hymn to Zeus (of which a complete translation along with accompanying commentary can be found in Meijer's book below). But puzzling out the surviving fragments of the early Stoics, along with other important materials including the works of Epictetus and Marcus Aurelius, as well as Cicero's redaction of Stoic theology in his De Natura Deorum, and much else, is a far from impossible, and even further from thankless, task. At least for the sufficiently curious and brave.

What follows are some suggestions from one seeker to other seekers. It does not even amount to "guidance" although I do call it a "resource guide", for lack of a better phrase to describe it. The following eight works are, in my opinion, the core materials available in the English language that are essential for anyone who wants to gain an understanding of Stoic Theology. Several other works, including a whole sub-section on Divination and Astrology, will be listed in a follow-up post.

What Is Ancient Philosophy?
by Pierre Hadot
It is simply impossible to understand Stoicism in isolation as "a philosophy" without a solid grounding in philosophy itself, that is, ancient philosophy as a whole. Fortunately, there is Pierre Hadot's great masterwork, What Is Ancient Philosophy?
Googlebooks online version of Hadot's book
Notre Dame Philosophy Reviews review of What Is Ancient Philosophy?
Bryn Mawr Classical Review review of What Is Ancient Philosophy?
New York Times review of What Is Ancient Philosophy?
Essays In Philosophy (Humboldt State University) review of What Is Ancient Philosophy?
First Things (a conservative Christian Journal) reivew of What Is Ancient Philosophy?
"Remembering Pierre Hadot" by Michael Chase

Stoic Theology
by P.A. Meijer
Googlebooks online version of Meijer's book
BMCR (Bryn Mawr Classical Reveiw) review of Meijer's book
Excerpt from BMCR review (by Marcelo D. Boeri):
It is a very well known fact that the works of the Older Stoics are lost; their remains, spread and scattered as they are, are so many that the researcher sometimes feels intimidated when attempting to account for some particular issue in their thought. So by gathering in a single book some of the main arguments the Stoics designed to prove the existence of the cosmic god and the traditional gods, Meijer ("M.") has produced a welcome addition to the growing stock of studies devoted to the Stoics. This is a rich book full of appealing suggestions and sometimes provocative readings; given its length (256 pages of small and condensed type), however, I shall limit myself to a brief consideration of some points of detail.

M.'s main purpose is to present "the Stoic arguments and the counter-arguments against the existence of the Stoic cosmic god and the traditional gods put forward by the adversaries of the Stoa" (p. xii). The book also provides three appendixes (a translation and running commentary of Cleanthes' "Hymn to Zeus"; a discussion of whether or not Chrysippus situated the cosmos in the centre of the void; and an examination of Alexinus' mocking parodies of Zeno's arguments), and several indexes (of themes, of names, and of places). Although from the very beginning the discussion is very technical, the introductions to each chapter are quite useful for understanding the focus of the chapter as a whole and the value of each argument within it. The book may thus turn out to be appropriate for undergraduate students interested in the foundations of Stoic theology. However, the work is basically aimed at scholars with a good knowledge of the issues under discussion.

As M. rightly remarks, some of the Stoic proofs involve the existence of a cosmic god, i.e. the cosmos as a rational and wise being. This implies that the Stoics were willing to defend a monotheistic stance, although the alleged proofs for the existence of a cosmic mastermind do not strictly speaking aim at proving the existence of the cosmic god, but rather at proving that the cosmic god is rational, animate, and wise. In fact, one of the major purposes of M's book is to argue that the Stoic arguments presuppose the existence of a cosmic god (cf. p. 11; 24).

M. proceeds to develop his project by a critical exposition of some of the key passages we have for reconstructing the Stoic doctrines. Thus he quotes extensively many passages taken from Sextus Empiricus, Diogenes Laertius, and Cicero, among others. For the most part, he offers the original texts in Greek or Latin along with an English translation in the footnotes.1 M.'s translations are usually very accurate, although I have some doubts about his rendering of logikon by "logical". It seems a little weird to say that the cosmos is a "logical" thing (see Sextus Empiricus, Adv. Math. 9.104; quoted on 2).
Epictetus: A Stoic and Socratic Guide to Life
by A.A. Long
Googlebooks online version of Long's book
BMCR review of Long's book
Excerpt:
Up to now scholars have not approached E[pictetus] as author, stylist, educator, and thinker, according to the eminent scholar of Stoicism Tony L[ong]. The aim of this book is to fill precisely this gap. L wants "to provide an accessible guide to reading E, both as a remarkable historical figure and as a thinker whose recipe for a free and satisfying life can engage our modern selves, in spite of our cultural distance from him" (2). This goal is met admirably. Not only does L succeed in presenting E on his own terms, but in the process, he fairly demolishes the view, held by many since Adolf Bonhöffer,1 that E is a sturdy but unoriginal moralist who basically rehashed the same ideas, with an emphasis on practical application, that were articulated in a more sophisticated, theoretically fastidious form by Chrysippus and the early Stoics.

L's translations respect the tone and rhetoric of E's Greek and avoid jarring literalness. Suggestions for further readings and scholarly notes are appended to the end of the introduction and each chapter. Nine chapters comprise the core of the book: 1. Epictetus in his Time and Place; 2. The Discourses; 3. The Socratic Paradigm; 4. Philosophy and Pedagogy; 5. Reading Epictetus; 6. Natures: Divine, Human, Animal; 7. From Theology to Ethics; 8. Autonomy and Integrity; 9. Appropriate Actions and Feelings. These are followed by an epilogue and two appendices non-specialists will find especially user-friendly: a glossary of over seven dozen Greek terms with translations and references to pages in the text where the terms figure prominently, and a 'Who's Who: Stoics and Others'. Ten pages of references, an extensive index of passages cited, and a somewhat abbreviated general index complete the volume. The jacket suggests that the book is intended for the general reader; while parts of the middle chapters will challenge non-specialists, as a whole this work is a wonderfully clear and cogent introduction to E. I will summarize each chapter and the epilogue and offer a few very minor critical remarks.
On the Nature of the Gods
by Marcus Tullius Cicero, translated by P.G. Walsh
Book II of Cicero's De Natura Deorum provides the most complete surviving ancient presentation of Stoic Theology. P.G. Walsh's OUP translation includes a very helpful Introduction, notes and other supporting material.
Googlebooks online version
BMCR review of Walsh's translation
Excerpt:
Peter Walsh offers a new translation of De Natura Deorum [DND] with introduction and notes. The forty-five page introduction concisely covers a sensible range of topics: Cicero's biography as relevant to DND, a summary of his philosophical works which indicates the subjects they treat, traditional Roman views about the gods, Cicero's sources for DND, an outline of the philosophies of the Hellenistic philosophical schools represented in DND (Epicureans, Stoics, and Academics), the literary form of DND and its characters, and an interesting section on the later history of the work through the eighteenth century. The translation, as we would expect from Walsh, reflects a masterful command of Latin and of English style. Walsh translates the fragments and places them after 3.65. Like the introduction, the sixty-nine pages of notes are intended for non-specialists and are in the main uncontroversial and explanatory rather than interpretive.
The Discourses of Epictetus
translated by Robin Hard, revised by J.M. Dent, edited by Christopher Gill
Googlebooks online version
This is my personal favorite translation-wise. And at $9.95 at amazon, the price is right (they even have a used copy in "very good" condition for $2.95 plus shipping!). Two older translations are available online at the Perseus website: George Long's 1888 translation, and also Thomas Wentworth Higginson's 1865 translation. Perseus also has the original koine Greek of Epictetus himself online.

The Meditations of Marcus Aurelius
I personally prefer the Oxford University Press edition based on A. S. L. Farquharson's 1944 translation. Marcus Aurelius' Meditations offer an unguarded look into the private reflections of a devout Pagan and a sincere follower of the Stoic way.
Googlebooks version of OUP edition
The complete text of George Long's 1862 translation

The Inner Citadel: The Meditations of Marcus Aurelius
by Pierre Hadot
Googlebooks online version of Hadot's book
BMCR review of Inner Citadel
Excerpt:
... In The Inner Citadel, Hadot applies to Marcus Aurelius' Meditations his characteristic interpretative approach: treating ancient philosophy as a "way of life," in particular one which provides its students with "spiritual exercises" to enable them to make progress towards wisdom, and treating ancient philosophical texts with attention to the "forms of discourse," or constraints of genre, tradition, and audience that affected their production.1 Hadot's extended application of this approach to Marcus gives readers an opportunity to evaluate its fruitfulness. Below, I give a brief chapter-by-chapter summary of Hadot's interpretation of Marcus' Meditations, commenting along the way on some general issues in The Inner Citadel: (1) the treatment of Marcus' eclecticism vs. Stoic orthodoxy, (2) the value of indifferents, (3) the Stoics' account of the relationship between the disciplines of logic, physics, and ethics, especially in their theoretical and practical dimensions . . . .

The Inner Citadel is a rich and substantial book and will certainly affect future scholarship on Marcus Aurelius. One wishes the author had engaged more with the English-language scholarship on Stoicism (such as Inwood's work mentioned above) and considered objections and alternatives to his interpretations -- but perhaps that is just wishing that he wrote more in the style of analytically-trained historians of philosophy.
The Morality of Happiness
by Julia Annas
at googlebooks
BMCR review
Ethics and theology are just as inseparable in Paganism as they are in any other religious tradition. In this book, Annas does an excellent job of presenting a thorough and wide-ranging, but also highly readable and engaging, study of ancient ethical theories. The key thing about Annas' book is the way in which she demonstrates that "ancient ethical thought is a recognizable form of moral thought." This is how she explains what she means by that, and why this is important:
That is, the ancient theories are theories of what modern moral theories are theories of; they are not a different, lost form of thought that we can study but have no practical interest in. I have emphasized one failing I hope to avoid: that of seeing ancient ethics as too readily available for our use. But I hope also to avoid the opposite failing: that of seeing it as so fundamentally different from modern moral thought in content and method as to form a disjoint alternative. This is a fairly influential view, and I shall examine the arguments for it in detail in the final section of of the first Part. I shall thus talk of ancient ethics as a form of morality, even though at several places it is necessary to contrast some aspects of it with aspects of modern morality.
[p. 14]

Saturday, May 8, 2010

I take a deep breath and I get real high, Part Deux

Lin Yu Chun should really seriously consider doing his next duet with Doda Elecktroda. Really seriously. In the youtube clip below the song itself doesn't start until about 1:35.



And here's a rockin' ukulele cover. It's not very polished, but she is damned good. And I am a sucker for a good ukulele cover:



But to be honest, Fiona Marjorie Breydon is the first artist I have ever seen who has genuinely reinterpreted this song and done something completely original with it (she also does ukulele covers, but not of What's Up. Check out her youtube page):

How Stephen Prothero Mangles The Economics-Politics-Religion Analogy

On the very first page of the Introduction to his book God Is Not One, Stephen Prothero writes that the idea that "all religions are beautiful and true ... is as odd as it is intriguing." To explain this, Prothero observes:
No one argues that different economic systems or political systems are one and the same. Capitalism and socialism are so obviously at odds that their differences hardly bear mentioning. The same goes for democracy and monarchy.
Prothero restates the same basic point nearly word for word in pieces he wrote to promote his book in the Boston Globe and the Wall Street Journal. And in both cases he leaves this "argument" just as sparse and vague as he does in his book. One really does wish that Prothero had bothered to "mention" a little more of his own thinking on these matters.

After all, as I write this, the Queen of England is pondering whom she will approve as the next Prime Minister of the UK. And whomever she chooses we can all rest assured that the Brits will continue to mix their capitalism with very large doses of socialism, and that their democracy will never dare, as it so far never has, go so far as to try to make do without the bloody monarchy. Indeed, the Conservatives and the Liberal-Democrats in the UK are no more likely to call for the dismantling of the socialistic National Health Service than is the Labour Party to come out in favor of regicide.

Not only the UK, but Sweden, Norway and Denmark all have both democracy and monarchy. And those Scandinavian lands are also the iconic examples of the European Social-Democratic "Welfare State" phenomenon in which capitalism and socialism are inextricably entwined.

So on the face of it, Prothero's analogy falls flat upon consideration of real world examples of capitalism, socialism, democracy and monarchy. The bright lines that Prothero wishes to draw starkly dividing economic systems and political ideologies are easily and often crossed, except, it seems, in Prothero's mind.

But there is a far more significant problem with Prothero's analogizing. For there are cases in politics and economics which do call for the drawing of bright lines, and lines that must not be crossed: in particular when it comes to totalitarianism.

Surely if Prothero had wanted to really drive his point home, he should have talked about absolute monarchy, Communist one-party states, Fascism, military dictatorships, forced collectivization, outright slavery, and so forth. (It must be emphasized that these are all very real economic and political phenomena that the West has had very real, and all too recent, experiences with.) Then he would have been saying something.

But Prothero wasn't willing to go there. It would have required him to tell us which religions we are to compare to Nazism, and which we are not. It also would have required that he have some idea of what he is talking about.

[See also: Contra Prothero, Part One & also The Basis Of Universal Spirituality]


Friday, May 7, 2010

"What exactly is it about traditional religion that we fear?"

I know I've been doing this a lot lately, but this is yet another post that mostly consists of something I have cut and pasted from something I found somewhere on teh internets. But what I found this time is really something amazing -- this is what The Internet is for.

Below is a first person account by Ghanaian blogger Esi Cleland of her first direct encounter with Traditional African Religion. Her blog is called What Yo' Mama Never Told You About Ghana. This entry is from August 17 of 2009, and it is titled: Confront Your Fears. Discover Traditional Ghanaian Religion.

Cleland does an excellent job of setting up the story, including explaining her own preconceptions about traditional religion going into this experience. She is writing first and foremost as a Ghanaian for a Ghanaian audience, so I have tried to provide some links [and occasionaly little notes in square brackets] to help provide information about some of the things that won't be familiar to a lot of the readers of my own blog, although toward the end the links (starting with Akonedi and Tigari) are all from Cleland's original blog post.
Confront Your Fears. Discover Traditional Ghanaian Religion.

This weekend, I had an intense personal experience with African traditional religion. Before you freak out, get some perspective.

Though I hold some views that would be considered radical in Ghana, in general, i’m a regular Ghanaian. I work. I take tro-tro. I dream of a better life. I look forward to teaching my children fante. Sometimes I go to church. But unlike many Ghanaians, when it comes to religion, I consider myself a truth seeker so I am open to learning about religions. I tend to think favourably of the Christian faith perhaps, because I was raised Christian and live in a society that largely favors that religion. But I know that I don’t know so I keep myself open to learning. What is ironic is that even though I claim to be exploring different religions, until this weekend, I wanted nothing to do with african traditional religion. Nothing to do with shrines, mmotia [something like fairies], abosom, and libation, and african spirits...I considered them evil.

So when a new acquaintance invited me to the meeting of traditional believers this weekend, this is what went through my mind... I cannot say for sure that African traditional religion is evil. I cannot say for sure that it is good. I know that I have been preconditioned to consider it evil. I also know that I do not know. I would like to find out, but I’m scared of the whole affair. My fear is an irrational fear. It is a fear of the unknown. I wanted to confront that fear. Because every time I confront my fears, I grow. Plus I was curious.
So I went.

The meeting was held at the Accra Cultural centre. Fitting, right? The first thing I noticed was a calabash filled with water, with leaves floating atop. My friend dipped his forefinger into it and touched the middle of his forehead. I refrained from the act. The sound of my heartbeat was deafening. Gboom Gboom Gboom Gboom. Crap. What had I gotten myself into? But it was too late to turn back. I found a seat, and took in my environment. There was a fetish priestess sitting at the back. People sat in a circle, on plastic chairs. There were about 20 people. There was a table, behind which the two men steering the program sat. Spread on the table was a crumpled, dirty-looking Afrikania mission cloth. On top of the cloth sat a Gye Nyame symbol. Appropriate, right? There was also a “I love Ghana” cloth hanging from that same table. And there was a cow switch on the table. In the corner sat another calabash. Oh Greaat! I wondered if i’d pushed things a little too far this time.

It was a truly interactive event. Everyone there seemed to have a role, whether it was translating the message into Ga, Twi, or Ewe, drumming, clapping, or dancing. It was similar to a church service in some respects. For example there were readings from the same text which were then translated. The readings [possibly referring to the prayers used by the Afrikania Mission] were followed by drumming and dancing. But it was also different from regular church. Many of the people took of their shoes. And when they danced, it was not free-style like we do in a church...these dances were traditional Ghanaian dances. Like adowa and agbadza. At one point, we were all encouraged to dance, and I looked so odd...I thought i’d look silly pretending to dance adowa or agbadza so I stuck to my usual church dance. I made a mental note to learn a traditional Ghanaian dance. I’d never had use for it, but now I was found wanting.

Another thing that was different was the instruments. They were all traditional instruments. Drums, rattles, and the gong gong. Then there was the singing. All the songs were indigenous Ghanaian songs. Sometimes they sounded like ebibindwom...other times they sang what I’d consider secular songs like the the fante warrior song:

Oburumankoma ee!, Oburumankoma ee! Oburumankoma Odapagyan ee! Oburumankoma Odapagyan ee! Oson! Oson akyi nyi aboa.

The readings explained some of their faith.They did not believe in the trinity...God as father, son and holy spirit. But they believe in a supreme being who created the earth, and who is both male and female. They believe ancestors, and in calling to their spirits through libation. They see fetishes like the Akonedi and Tigari as a connection between humans and God. Spirits act like angels. They are good spirits, sent to help us by God. God uses them more than he uses us because humans are jealous, deceitful, and belligerent. To learn more about the beliefs, check out the Afrikania Mission website.

The Afrikania Mission was founded by Osɔfo Okɔmfo Damuah who came from Asankragua in the Western region, got a Phd from Howard University, was a catholic priest for many years, and later became an African traditional believer, hence his dual title of Osɔfo and Okɔmfo. He died in 1992. You can read more about him on Wikipedia.

I did not stay till the end of the program.I left after only about an hour to have a lunch of omo tuo made from ebibimo (brown rice) and groundnut soup from a nearby vegetarian restaurant, (Yes, there are vegetarian restaurants in Ghana) called Assase Pa. I also had bissap with ginger in it. And later that evening, I went to watch Ghana's Most Beautiful, a pageant that seeks to educate us on Ghanaian culture. So yesterday was an packed day. Much of it was fun. But questions I had from my religious meeting kept gnawing at me. And I couldn't sleep when I got home. I was spooked. I live alone, you see, and whenever the wind rattled my front gate , I wondered if the spirits were coming for me. Don't laugh:) I hid under the covers.

The experience has left me with many feelings. Many thoughts. Many questions.

For example, what exactly is it about African traditional religion that makes us steer clear of it? What scares us? How is it that I know more about Eastern religions than I know about Ghanaian traditional religion. Even from a purely academic standpoint, whatever happened to intellectual curiosity, to open-mindedness? How had I closed off myself completely from understanding such an important pillar of our tradition and culture? Am I ready to find out?

I told my boss about my experience, and I guess he got to the heart of the issue when he said. "You may not know what it is that scares you, but do you really want to find out?" In addition to that, I’d like to add, am I willing to deal with the consequences, if there are any?

Thoughts, questions, insights? If you're reading this, I'd like to ask you, what experience, if any, do you have with African religion. Should we be exploring these questions, critically examining who we are, or is this a no-go area, better left unexplored? Should I take the next step to visit a shrine? Would you? Why or why not?

Thursday, May 6, 2010

Sex, Religion, Art, Music & Freedom of Expression in Poland

Until 1989 art, press and television were subject to political censorship in Poland. School curricula were screened to be in line with the voice of the Party. Demonstrations and strikes were pacified; workers and intellectuals were repressed, imprisoned or even murdered. Finally, the Catholic Church, which was generally anti-communist and had a history of criticizing the system and motivating Poles to protest, was constantly under surveillance. Since the collapse of the communist order, Poland has been transformed to resemble a pluralistic democratic society.
So begins Iwona Lepka's 2009 paper on Freedom of Expression in Post-Communist Poland, published in the November issue of Critique: Journal of Socialist Theory (published by Routledge). About one third of Lepka's article focuses on the case of Polish artist and feminist Dorota Nieznalska, whose installation titled Pasja ("Passion") resulted in Nieznalska being sued for insulting religious feelings by a group of conservative activists related to the League of Polish Families.

According to Lepka's article, "Paradoxically, the people whose religious feelings Nieznalska was to have supposedly insulted admitted that they had not seen the exhibition themselves but had familiarized themselves with the issue through extensive media coverage. And so the witch-hunt began."

Here is how Lepka describes the installation itself, and how events unfolded:
Dorota Nieznalska’s installation entitled ‘Passion’ was displayed in the art gallery Wyspa in Gdansk from December 2001 until January 2002. The installation consisted of a Greek metal cross with equal arm lengths, suspended from the ceiling by chains. The photography on the front part of the cross showed the lower part of a male body, namely a stomach, an abdomen, loins and genitalia. In the background, there was a video close-up of the head of a bodybuilder lifting weights. The film showed only the man’s shoulders and face with a genuine grimace of exertion.

The work of art would have probably been long taken off and forgotten had it not been for an extensive material on it broadcast by TVN, a Polish television channel. The program, sensationalist in tone, motivated members of the League of Polish Families to visit the gallery. What is interesting is that the exhibition had ended a few days before and was no longer on display when the delegation of embittered MPs arrived. While ‘Passion’ was being disassembled and preparations for a new exhibition were in progress, the parliamentarians demanded that Nieznalska’s installation be shown to them. They declared that they came to damage the work so that it would be never displayed in other galleries. One of the members of All- Polish Youth, who accompanied the MPs, was reported to have harassed the artist and even threatened to rape her. Nieznalska was insulted and it seems that only the presence of a group of journalists stopped the infuriated rightists from battering her. The incident was later widely shown by various television channels.
In subsequent legal proceedings the art gallery itself was ordered closed, and Nieznalska was convicted, in July 0f 2003, of "offending religious beliefs." As Lepka explains in her article, "Article 196 of the Criminal Code provides that anyone found guilty of insulting religious sentiment through public calumny of an object or place of worship is liable to a fine or maximum two-year prison sentence."

Dorota Nieznalska was sentenced to six months "restricted freedom", and also ordered to perform "public service" under the court's supervision. She appealed her conviction, and in June of 2009, eight and a half years after Pasja was first displayed, Nieznalska was finally acquitted of the charges brought against her.

Poland's Article 196, however, remains in effect, and in order for Nieznalska to win acquittal she had to argue that she did not make use of the cross "as a religious object", but rather it should be "interpreted in the context of masculinity. The installation was an artistic endeavor to articulate the concept of masculinity."

Nieznalska also argued that religion has become enmeshed in modern consumer culture. She called in her defense an art historian, Izabela Kowalczyk, who argued that the themes of masculinity and commercialization are especially clear because of the incorporation of the video of the bodybuilder in the background of the cross, which draws a parallel between churches and gyms as market-oriented enterprises.

One the one hand it is a good thing that Nieznalska was able to win an acquittal, while on the other hand it is chilling to see that the simple principle of freedom of speech had to be "defended" in such a convoluted way.

The other 2/3 of Iwona Lepka's article in the journal Critique deals with (1) religiously inspired discrimination againt LGBT people in Poland, and, in particular, violations of freedom of assembly with respect to demonstrations demanding rights for LGBT people, and (2) Poland's criminal defamation laws and the specific case of a journalist who was convicted and fined (approximately US$6,500) for the "crime" of insulting the Pope. I will summarize what Lepka has to say about these issues below.

The first Pride Parade in Polish history took place on May Day 2001 in Warsaw. Three hundred people attended the little publicized event. Subsequent marches grew to 1,000 and then 4,000 strong in 2002 and 2003. Then in 2004 a Culture of Tolerance Festival was planned for May 6-9 in Cracow.

The Cracow Festival began only a few days after Poland officially joined the European Union. Right-wing groups had objected to joining the EU, and one of their strategies was to use the issue of gay-marriage, which they claimed would be "forced" on Poland by the EU. Those who attended the Festival of Tolerance were physically assaulted by people thowing eggs and bottles, who also screamed "Gas the gays!" and "Faggots go home!"

After the violence in Cracow, the mayor of Warsaw canceled a scheduled Equality Pride March in that city, and he even refused to meet with the organizers of the March, saying, "I am not willing to meet perverts." Activists then called for a March for Equality in Poznan in November of 2004. This march was also attacked by violent thugs.

LGBT rights activists continued to organize public events, but right wing response, both from thugs in the streets and from elected politicians, became ever more homophobic. But activists also fought in the courts, and in January of 2006 the Polish Supreme Court ruled that civic authorities must allow freedom of assembly, and must also guarantee the safety of those who exercise this right.

Since 2006, public LGBT events in Poland "generally pass off peacefully, even though counter- demonstrations by conservative right-wing groups are organized as well. Thus the struggle for equal rights continues in Poland."

Meanwhile, Jerzy Urban published an article in August, 2002, titled "House-to-House Sado-Masochism," a satirical piece aimed at then-Pope John Paul II. To make matters more scandalous, the article mocking the beloved Polish Pope appeared just before his much anticipated visit to his homeland!

Urban pleaded not-guilty and declared that "Looking at the papal cult with the eye of an atheist is just as legal as the ecstasy of devotees." However, prosecutors made use of a Polish law prohibiting any insulting writings directed at foreign heads of state, which technically applies to the Pope as the head of the Vatican. In his defense against that approach, Urban claimed he was not really attacking the Pope personally, but rather the people who were making money from his visit.

Jerzy Urban was convicted in 2005 under Article 236 of the Polish Criminal Code. His sentence was a fine of 20,000 PLN (about US$6,500), and so far the ruling has not been overturned. Urban, who is now over 75 years old, has vowed to fight the case all the way to the European Court of Human Rights.

There have been other important cases involving freedom of expression in Poland, including other high profile attempts to bring prosecutions under Article 196. These include the scandal following infamous 2004 concert by Gorgoroth, a Norwegian Metal Band, in Krakow, which had been publicized in advance as "Black Mass 2004", and the group promised on their website that it would be "an amazing show with lots of pyro, gallons of blood, live crucifixion and nude models." No charges were ever brought against the band itself, which is from Norway, but the concert organizer was fined 10,000 złotys. In 2008 Gorgoroth released the much anticipated "Black Mass in Krakow 2004" DVD.

In 2009 there were calls, including from Lech Walesa himself, for the pre-emptive invokation of Article 196 to prevent Madonna from bringing her Sticky and Sweet tour to Warsaw. But that came to nothing.

In 2008 there had been an attempt to prosecute Adam Darski, aka "Nergal" of the Extreme Metal Band "Behemoth", because of an incident in 2007 in which he desecrated a Bible and declared the Catholic Church to be "the most murderous cult in human history" on stage during a concert. That attempt had been thrown out of court, but then in March of this year the charges reappeared and were formally accepted.

Darski has pleaded not guilty, and has told the court that his performances should be protected because of artistic freedom. The court has heard "expert" testimony from Catholic theologians who claim that every copy of the Bible must be considered a sacred religious icon protected under Polish law. Darski does not deny the allegation that he systematically ripped a Bible to shreds, and then distributed the pieces to members of the audience and requested that these pieces be burned.

And then on April 30, Dorota Rabczewska, one of Poland's most successful pop musicians, and, coincidentally, engaged to be married to one Adam Darski, was also formally charged with violation of Article 196. The court that handed down these charges reportedly heard evidence from linguists and biblical scholars.

The incident in question was a televised interview with Rabczewska, also known as Doda, or Doda Elektroda, in which she stated that her opinion of the Bible is that "it's hard to believe in something written down by someone drunk on wine and smoking some kind of herbs."

Doda won nine awards at the 2010 Viva Comet Awards, which is basically the Polish Grammys (as near as I can make out). She has won Best Video at the Comet Awards three years straight. She also came in second for "Best European Act" in 2009 for the MTV Europe Music Awards.